Across the city, parents snatch their kids out of the way of red-light-breaking drivers
Despite years of talk, a promised national strategy on red-light cameras is yet to be published – let alone implemented.
“I don’t know, it’s to feel like you’re in a fantasy world of what Dublin used to be,” says Eddie Kenrick, on why he makes it.
“We don’t want to be ‘Dublin is shit, everything is bad and hard,’” says co-founder Aiesha Wong.
Former vendor Rosemary Fearsaor-Hughes says that, since the magazine no longer supports vendors, she finds its pleas for donations confusing.
“So much fiction is made up of these neatly tied-up, often moralistic stories, but good non-fiction begins with no set agenda,” says co-editor Seán Hayes.
“People always ask us what’s the theme and I always say the same as last time – the internal struggle to fit in,” says Saul Philbin Bowman.
There is something of a ritual most mornings in the magazine section of Eason on O’Connell Street.
Kie and James Carew’s Póg Mo Goal focuses less on analysis and goals, and more on social, political, and historical currents.
The latest issue of this Dublin literary journal is “an honest, raw and genuine exploration of act of writing”, says author Elske Rahill.