Mixing the social-problem and horror genres, this new film explores one of Ireland’s most notorious murder cases, and its effects on those it left behind.
This film about the renowned Dublin-born architect offers great insights into his philosophical approach, but few into his inner self, writes Luke Maxwell.
This new film is “an impressive feature debut, well-observed, earnest in its execution and filled with humanity”, writes reviewer Luke Maxwell.
An unlikely and at times harrowing love story, “Maudie” presents the life and times of Canadian folk-art institution Maud Lewis. It’s a film that looks for the little sparks of light in the dark.
“The Farthest”, a new documentary, is the moving story of NASA’s Voyager mission. It is “hard science on the outside but gooey on the inside”, writes Luke Maxwell.
Dan Doherty, the man behind the soundtrack to the new film, left the civil service and devoted his life to making music. “I didn’t give a fuck about anything else really to be honest,” he says
This Sligo-set film is a little rough around the edges, but it excels as a feel-good picture with its heart in the right place, writes reviewer Luke Maxwell.
Anne Maree Barry’s film is part documentary, part fiction and draws on the history of the north inner-city neighbourhood.
Zoe Kavanagh’s lo-fi, high-concept horror-action debut “Demon Hunter” is a bona fide B-picture that makes a lot out of a little.
A shortage of space means that some have been making films and series in warehouses. But during an acute housing shortage, is now the time to be giving land over to film studios?
This feature-length sitcom from the director of “The Stag” takes a semi-autobiographical look at adolescent male friendship, boarding school and family.
In Liam Gavin’s first feature film, dark forces and ritual misery give way to something truly affirming, writes Luke Maxwell.
