It’s a coming-of-age story set in Dublin: north, south, and centre. “I was trying to look for new locations that haven’t been on camera before,” he said.
A young woman searches for her missing son through a miasma of her memories and dreams in director Viko Nikci’s surreal feature film debut, writes Luke Maxwell.
The Firehouse Film Contest’s organisers want to help filmmakers get over first-time jitters, inhibitions and procrastination – and share their movies with an audience.
This documentary shows couples and individuals recounting romantic rendezvous under the iconic Clery’s clock on O’Connell Street. It looks at things worth cherishing from that time, and things best left in the past.
Nine years after a savage sexual assault Ailbhe Griffith meets her attacker face-to-face in a mediated environment in “The Meeting”, the difficult new film from Alan Gilsenan.
“I can say wholeheartedly, and with some embarrassment, that I wasted my time fretting over whether Black ’47 is all it was made out to be. It’s a special kind of picture for many reasons.”
Set in the lost-and-found office at a train station in a small Irish town, Liam O Mochain’s latest film “charms us with its winsome worldview”, writes Luke Maxwell.
