It'll fill it with water, and decorate it with lights this winter, a council manager said at a recent meeting. But it'll take years to come up with long-term vision.
"I think the public do understand that prison isn't addressing the underlying issues for those people who are committing minor offences but can't get the help that they need to stop that cycle."
At a recent meeting, councillors tabled three motions calling on the council to renovate the pitch, but council managers said there is no plan to do that at the moment.
The latest in our series on works by contemporary Dublin artists features a sculpture informed by the artist’s work as an occupational therapist. It’s on display at the Science Gallery.
Primitive Reflex By Grainne Tynan Thermoplastic splinting material, steel, ink, wood, electric splinting bath, table and water 700mm x 700mm x 1700mm
1. This work is about . . . the place of shared myths in today’s world, exploring boundaries between superstitious and scientific thought. Primitive Reflex investigates the human desire to heal another’s trauma and places this in direct relationship with shamanic tribal rituals.
2. I made this work because . . . I wanted to explore my experience of working as an occupational therapist with people who have suffered a trauma to the central nervous system, resulting in the return of their infantile (or primitive) reflexes.
3. I hope when people see this work they will . . . enter into a discussion about the principles and materials used by healthcare professionals, empowering them to question approaches used in the recovery from trauma.
4. In terms of art history, this work . . . references primitive art through the use of tribal motifs in the anatomical drawings.
5. You can see my work . . . in the Trauma exhibition in Science Gallery at Trinty College Dublin, which runs until 21 Feb 2016. My website is grainnetynan.com.
Curios [sic] About is a series featuring works by Dublin artists, curated for us by our friends at the Square in the Circle blog, and hosted there as well as here.
Each artist is asked to submit an image of one work and answer a set of questions about it. We’d love it if you’d submit something you’ve made.
But viewers seeking a beat-by-beat summation of jazz musician Bill Evans’ career will be disappointed by Grant Gee’s film, which is not meant to be a biopic.