Remembering Cathleen O'Neill, who beat down a path for other women
“A force bigger than life itself,” said a eulogy by O’Neill’s friend Carmel Jennings. “Working-class warrior,” said Rita Fagan, another friend of O’Neill’s.
The short film is an eerie, sometimes frantic psychological drama about Alice, an artist who is haunted by a toxic former relationship.
Filmmaker Sarah Share’s “The Graceless Age: The Ballad of John Murry” tells the story of the Mississippi-born musician, who is now living in Ireland.
It’s from Darren and Colin Thornton, the sibling team behind 2016’s “A Date for Mad Mary”, “one of the truly great Irish films of the last 10 years”.
And as the same horrors appear again and again, attention and scarewithall wanes.
“The impression is that the world has flipped upside-down. That the past, present and future aren’t as separate as we like to believe.”
“We’re leaving here in three hours,” said Frank Durant, at The Gravediggers.
“Blue Road: The Edna O’Brien Story” is playing in theatres from 31 January.
This “briskly paced, Irish-language sports film focusing on naomhóg racing” is “an underdog story that breezes past a lot of the generic formula”.
This “bemusing but often amusing comedy” won Best Irish Film at the Galway Film Fleadh this year.
Director Dennis Harvey explores the unequal meanings of migration, following his subjects as they move from country to country in search of work, family and refuge.
This documentary about the Debenham’s picket lines is an “inspiring and very human document of a found family brought together by a desire to help each other”.
In this 1940s-set film, scientist sisters find a way to tune in to TV and radio signals from the future – and play a pivotal role in Britain’s fight against Germany.