On a recent Monday, contributors to the new collection Glórtha Aiteacha \ Queer Voices shared readings to celebrate pathways, often through struggle, to joy and community.
Category: Culture Desk
Dean: Rapper Luka Palm’s new EP is fast and furious
It’s “an ode to boys who modify their Ford Fiestas with gleaming rims, booming sound systems, gaudy LED lights and spoilers the size of Samuel Beckett Bridge”.
The “cultural space” off Francis Street meant to compensate for the loss of the Tivoli Theatre is still mostly used as storage
“We have a proposal put together regarding the future use” of the space, said a spokesperson for the Staycity aparthotel, which opened in January 2022 and hosts it.
406 Days, Reviewed
This documentary about the Debenham’s picket lines is an “inspiring and very human document of a found family brought together by a desire to help each other”.
Big, loud, messy and ramshackle, the Onion Boys play The Hut in Phibsboro
For 30 minutes, the band delivered a blistering set of theatrical punk and monstrous rock ‘n’ roll, saturated in sweat, Buckfast Tonic Wine and milk.
In the south inner-city, unauthorised sculptures of a cat and a rat stare each other down
First came the rat. Then, “A lad who lives around the corner had a cat, and it was his pride and joy, and it was suggested he do a cat.”
Issue 68: By Kate Escolin
I wanted this cover illustration to express my current feelings on being an immigrant that have resurfaced because I am visiting my home country of the Philippines this year. I have been working non-stop to make enough money just to visit my family, which is the price to pay when you live far away from […]
In the north-inner city, two dancers gear up for a new Afro dance camp
It’s vital to learn about the genuine roots of commercialised things, says Favour Odusola.
Dean: Swimmers Jackson’s breezy guitar pop is right in time for summer
“One of the year’s best Irish albums so far … this is an album for summers outside of urban trappings, right in time for the season.”
“I wanted to stress that there is so much beauty in monstrosity”
For her debut solo exhibition, performance artist Venus Patel drew on the experience of being feared and “seen as a monster” because she is different.